Through eggs and images fixed within opaque structures as if they were preserved specimens, this work establishes an intentional constraint born of physical distance. The transparent membrane acts as a boundary that allows for visual visibility while strictly prohibiting tactile contact. This serves as a metaphor for a state where a relationship with an object or another person still exists but is no longer reachable, forcing us to confront the fundamental sense of distance arising within.

In this work, the gaze upon the relationship shifts from external forms to invisible internal conditions. This unnatural situation where physical contact is removed and one must rely solely on visibility vividly reveals the fundamental limitations and preconditions we encounter in our relationships with others. The incomplete forms held within the opacity are as nebulous as elusive fragments of memory, yet at the same time, they constitute a complete state in themselves, proposing a new way of seeing.

Ultimately, rather than providing definitive answers, this work presents a process of continuous reflection within the uncertainty of suspended judgment. It is only when we stop attempting to immediately decode the form of the object and fully embrace its inherent imperfection that a true sense of relationship begins. At the end of this physical distance, we paradoxically encounter the essence of what remains unseen.