Sohee Goo is a visual artist based in Seoul and London, working mainly with photography and installation. Her practice is rooted in East Asian aesthetics and philosophical thought, reflecting on the nature of perception, value, and interpretation.

Using the everyday yet symbolic object of the egg, she creates quiet but deep reflections on life. Through the act of continually seeking stability amid uncertainty, and through repetition and subtle variation, she elevates the ordinary into something poetic. Her work invites viewers to consider the anxieties, changes, and questions of existence that appear in daily life.

She also develops works that digitally transform and distort images of nature, reconstructing them into three-dimensional forms. These altered landscapes explore the boundary between the real and the artificial, unsettling familiar ways of seeing and questioning fixed frameworks of perception.

A simple and direct question runs through her work: “What do you think?” With this question, she encourages viewers to look inward, allowing space within her refined works for introspection, depth of thought, and inner resonance. 
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Contact 
goosoheegoo@gmail.com
@goosoheegoo














02.Point, line and plane

2024

<ESC.> series

This series explores the fundamental geometric principle of “point, line, and plane.” Inspired by the belief that “Everything is connected,” the artist metaphorically illustrates how points form lines and how lines create planes through the arrangement of eggs. If each egg and image represents a point, then collectively they form lines and expand into planes. This abstract representation conveys the idea of interconnectedness and existential meaning through basic artistic elements.

The blurry black-and-white images initially make it difficult to recognize the objects. The points of connection are also unclear, leaving it ambiguous whether multiple objects are linked or remain separate. As the images unfold, the relationships between the objects become evident, with some photographs even appearing to overlap. 
Through this progression, the work suggests that all of our experiences, intentional or unintentional, are inherently connected and collectively shape who we are.