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Sohee Goo explores the gaps in perception at the intersection of photography and installation.ย 
Her work begins by questioning the assumption that an image is simply a tool for representing an object.ย By intentionally blurring forms or placing them within physical structures, she prompts the viewer to move beyond the habit of immediate identification.

In her series ESC., the egg serves as a central medium for this inquiry. Carrying multiple layers of meaning while remaining fragile, this object exists on the threshold between stability and instability, or connection and separation. By blurring the focus and overlapping images, the artist prevents the work from settling into a single conclusion. In this process, the viewer is no longer just a passive observer but becomes part of the experience, noticing the very frames of their own perception.

Rather than providing definitive answers, Sohee Gooโ€™s work creates an environment that slows down the act of looking. In her spaces, seeing is not a matter of immediate decoding but a continuous reflection born of uncertainty and a process of negotiation with oneโ€™s own inner resonance.


๊ตฌ์†Œํฌ๋Š” ์„œ์šธ๊ณผ ๋Ÿฐ๋˜์„ ๊ธฐ๋ฐ˜์œผ๋กœ ํ™œ๋™ํ•˜๋ฉฐ ์‚ฌ์ง„๊ณผ ์„ค์น˜์˜ ์ ‘์ ์—์„œ ์ธ์‹์˜ ํ‹ˆ์„ ์ง‘์š”ํ•˜๊ฒŒ ํŒŒ๊ณ ๋“ ๋‹ค. ์ž‘๊ฐ€์˜ ์ž‘์—…์€ ์ด๋ฏธ์ง€๊ฐ€ ๋Œ€์ƒ์„ ๋ช…ํ™•ํžˆ ์ง€์‹œํ•˜๊ฑฐ๋‚˜ ์žฌํ˜„ํ•˜๋Š” ๋„๊ตฌ๋ผ๋Š” ์•ˆ์ผํ•œ ํ™•์‹ ์— ๊ท ์—ด์„ ๋‚ด๋Š” ๊ฒƒ์—์„œ ์ถœ๋ฐœํ•œ๋‹ค. ์‚ฌ์ง„์  ํ”„๋กœ์„ธ์Šค๋ฅผ ํ†ตํ•ด ํ˜•์ƒ์„ ์˜๋„์ ์œผ๋กœ ํ๋ฆฌ๊ฑฐ๋‚˜ ๋ฌผ๋ฆฌ์  ๊ตฌ์กฐ๋ฌผ ์•ˆ์— ๊ฐ€๋‘ ์œผ๋กœ์จ, ๊ด€๊ฐ์ด ๋Œ€์ƒ์„ ์ฆ‰๊ฐ์ ์œผ๋กœ ์ •์˜ํ•˜๋ ค๋Š” ๊ด€์Šต์ ์ธ ์‹œ์„ ์„ ๋ฉˆ์ถ”๊ฒŒ ํ•œ๋‹ค.

์ž‘์—…์˜ ์ค‘์‹ฌ์„ ๊ด€ํ†ตํ•˜๋Š” ๋งค๊ฐœ์ฒด์ธ ๋‹ฌ๊ฑ€์€ ๋‹ค์ธต์ ์ธ ์ƒ์ง•์„ฑ์„ ํ’ˆ์€ ์ฑ„ ์–ธ์ œ๋“  ๊นจ์–ด์งˆ ์ˆ˜ ์žˆ๋Š” ์—ฐ์•ฝํ•œ ์ƒํƒœ๋กœ ์กด์žฌํ•œ๋‹ค.ย ์ด๋Š” ๊ด€์ ์— ๋”ฐ๋ผ ๋’ค๋ฐ”๋€Œ๋Š” ์•ˆ์ •๊ณผ ๋ถˆ์•ˆ์ •, ํ˜น์€ ์—ฐ๊ฒฐ๊ณผ ๋ถ„๋ฆฌ์˜ ๋ชจํ˜ธํ•œ ๊ฒฝ๊ณ„์„ ์„ ๊ฐ€์‹œํ™”ํ•œ๋‹ค. ์ž‘๊ฐ€๋Š” ์ดˆ์ ์„ ํ๋ฆฌ๊ณ  ์ด๋ฏธ์ง€๋ฅผ ์ค‘์ฒฉํ•˜๋ฉฐ ์˜๋ฏธ๊ฐ€ ํ•˜๋‚˜์˜ ๊ฒฐ๋ก ์œผ๋กœ ์ˆ˜๋ ด๋˜๋Š” ๊ฒƒ์„ ์ €์ง€ํ•œ๋‹ค. ์ด ๊ณผ์ •์—์„œ ๊ด€๊ฐ์€ ๋‹จ์ˆœํžˆ ์ •๋ณด๋ฅผ ์†Œ๋น„ํ•˜๋Š” ๊ด€์ฐฐ์ž๋ฅผย ๋„˜์–ด, ์ž์‹ ์ด ์ง€๋‹Œ ์ธ์‹์˜ ํ‹€์„ ์Šค์Šค๋กœ ๋ชฉ๊ฒฉํ•˜๋Š” ๊ฒฝํ—˜์˜ ์ฃผ์ฒด๊ฐ€ ๋œ๋‹ค.

๊ฒฐ๊ตญ ๊ตฌ์†Œํฌ์˜ ์ž‘์—…์€ ์ •๋‹ต์„ ์ œ์‹œํ•˜๊ธฐ๋ณด๋‹ค ๋ฐ”๋ผ๋ด„์˜ ์†๋„๋ฅผ ๋Šฆ์ถ”๋Š” ํ™˜๊ฒฝ์„ ๊ตฌ์ถ•ํ•˜๋Š” ์ผ์ด๋‹ค. ๊ทธ๊ฐ€ ์ฐฝ์กฐํ•œ ๊ณต๊ฐ„ ์•ˆ์—์„œ ๋ณด๋Š” ๊ฒƒ์€ ์ฆ‰๊ฐ์ ์ธ ํ•ด๋…์ด ์•„๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ํŒ๋‹จ์ด ์œ ๋ณด๋œ ๋ถˆํ™•์‹ค์„ฑ ์†์—์„œ ์ง€์†๋˜๋Š” ์‚ฌ์œ ์ด์ž, ์ž๊ธฐ ๋‚ด๋ฉด์˜ ์šธ๋ฆผ์„ ๋งˆ์ฃผํ•˜๋ฉฐ ๋ฒŒ์ด๋Š” ๋Šฅ๋™์ ์ธ ํ˜‘์ƒ์˜ ๊ณผ์ •์ด๋‹ค.



Contactย 








02.

Part of part
2019ย 


Collaboration Self-Publicationย 
with Yinyan Jin

part of part : Exploring Individuality Within the Collective Whole

This project originated from the idea that we are all integral components of nature,ย 
with each person being drawn to different parts compared to others.