This series explores the fundamental geometric principle of “point, line, and plane.” Inspired by the belief that “Everything is connected,” the artist metaphorically illustrates how points form lines and how lines create planes through the arrangement of eggs. If each egg and image represents a point, then collectively they form lines and expand into planes. This abstract representation conveys the idea of interconnectedness and existential meaning through basic artistic elements.

The blurry black-and-white images initially make it difficult to recognize the objects. The points of connection are also unclear, leaving it ambiguous whether multiple objects are linked or remain separate. As the images unfold, the relationships between the objects become evident, with some photographs even appearing to overlap. 
Through this progression, the work suggests that all of our experiences, intentional or unintentional, are inherently connected and collectively shape who we are.

The egg, being symmetrical without a defined top or bottom, can appear differently oriented depending on one's perspective. For example, to perceive the egg as stable, one might expect the pointed end to be at the bottom, but from another viewpoint, the pointed end might appear more stable at the top. 

Thus, the interpretation of the photograph varies according to individual perspectives, resembling the artist’s perception of the boundary between stability and instability, where things without a clear top or bottom can feel stable or unstable depending on one's viewpoint.

What do you think about it?

When viewing artworks, I hope that observers escape the act of seeking the correct answer or the inherent appearance of the object and instead project their own perspectives onto the photograph.

part of part : Exploring Individuality Within the Collective Whole

This project originated from the idea that we are all integral components of nature, 
with each person being drawn to different parts compared to others.

the exhibition Five elements, inspired by the concept of the Five Elements in traditional East Asian philosophy, explaining the phenomena and transformations of the world and human life. Each element — Wood, Fire, Earth, Metal, and Water — carries distinct energies, yet interacts to create harmony. Similarly, the works of five artists from diverse backgrounds and artistic languages are connected in an organic flow, breathing together. Within this rhythm, we can feel the growth of Wood, the transformation of Fire, the harmony of Earth, the fruition of Metal, and the inclusiveness of Water, gently inviting us to reflect once again on the idea of balance and interconnectedness.

Perhaps, in this way, we too seem like different beings, but aren't we all connected as one?



Curator
Heeyoon Jung

Artist
Anyi Ji
Demi Danka
Hyunjee Kim
Ross Deeley
Sohee Goo

“O” is a multidisciplinary meditation on spheres, cycles, and the transience of natural forms.

More than a shape, "O" embodies paradox—fullness and emptiness, origin and dissolution, the cosmic and the intimate. "O" invites us to reflect on impermanence and our ephemeral place within nature’s eternal rhythms.



Sohee Goo 
Jose Cardenas
Yihan Pan